Sunday 5 August 2018

SNU -

SNU Reflective Journal




18-07-18
The work;


Digital portraits


Painted Portraits



Writing samples - deciding on adding the names of the  historic characters and women of this era onto the edges of the canvas.









A digital interpretation of the flags




A sound experiment to hear women's voices.





Writing embossed print using the antonyms for change – to interpret that only 9 out of 33 European countries have included laws that consider consent in rape trials.




















‘Disney-esque’ Hague 





‘Rigid Flags’ Hague 



15-07-18
New potential influences:


Tacita Dean – Antigone 2018


Elizabeth Peyton


Luc Tuymans and Wilhelm Sasnal


Angela Carter – Black Venus


Understanding phenomenological – looking at the work of Heidegger






08-07-18
Nancy Spero – Women as protagonist


Juxtaposing past and present and re-entering women into history


Spero recognised women has been written out of history and wished to re-write the imagery of women through historical time but with vitality.


Spero saw that women had been represented as objects by men in history.


She used women in the lead role – as the active protagonist





29-06-18
Considering text to include into trials:


Feisty / bossy / working mother / mumpreneur / bubbly / chatty / abrasive / ball-buster / aggressive / shrill / bolshy / intense / stroppy / forward / mannish / yapping / barking / gossipy / dramatic / catty / bitchy / nag / cold / ice-queen / shrew / humourless / man-eater / banshee / fishwife / ditzy / feminazi / militant / slut / trollop / frigid / easy / tease / loose / cougar / asking-for-it / prude / town-bike / mutton-dressed as lamb – slutty / curvy / mummsy / cheap / frumpy / let-herself-go / faded-beauty / mousey / plus-size / clothes-horse / ladylike / vivacious / flirty / sassy / demure / modest / emotional / hysteria / pre-menstrual / menstrual / bridezilla / diva / primadonna / blonde / harsh / jarring / raucous / dissonant / discordant / unharmonious / clashing / sharp / super-mum / career-woman / yummy mummy / little old lady / work-from-home-mum / fierce / spirited / flaky / moody / over-sensitive / clucky / neurotic / irrational / baby-brain / baby-weight / mummy-blogger / female-engineer / spinster / barren / she-wears-the-pants / housewife / house proud / mistress / kept-woman / mistress / girly / tomboy / princess / little-lady / jail bait / heart-breaker / pretty / bitch / catfight / wonder woman






22-06-18
Look at Andy Warhol – Screen Test. A silent film of a portrait.


Pecha Kucha Plan;


WOMEN – Mary Beard introduction


VOICES – Penelope being silenced by Telemachus


SPEAKING – Vilification – yapping, barking, mewling…


TIMELINE – Now – When? Back to the Western Text


WHO – Names of those characters in history


COLOUR – Green / monochrome to sit alongside Richter / chromakey


CURRENT – Examples of contemporary women who suffer misogynistic abuse and are speaking out


MYTHS – repetition of the Myth e.g. Rape of the Sabine Women / Chibok Abduction.


REINTERPRETATION – The story needs to change / new language / new imagery


EXAMPLES – Leda and the Swan


FUTURE WORK – Comparing parallels into contemporary history – happenings…



Not a producer of meaning, produced by meaning.


02-06-18
Font styles – to consider writing the names of the women upon the edges of the stretchers to combine the classical woman with a contemporary counterpart – example Diane [Abbott]/one of Penelope’s Maids, Anita Hill/
Clytemnestra. Decide how the name will be written – from bottom to top or top to bottom. Will this change according to which side it is viewed?

Women speak out - paired with a mythological partner.





WOMEN FROM MYTH

Research of women who have been raped, murdered or had their children sacrificed from the ancient classical stories;

Zeus raped Leda, daughter of the Aetolian king Thestius, in the guise of a swan.

Zeus raped Danae, a princess of Argos, disguised as the rain

Rhea – Cronus ate all their children except for Zeus

Hera suffes domestic violence and rape from Zeus, her brother.

Niobe’s children were all killed as a result of her boasting.

Cassandra raped by Ajax

Megara – killed bu Heracles her hisband who also kills their children.

50 maidens – deflowered by Heracles in a single night.

Achilles uncharacteristically wears his heart on his sleeve when he reveals how much he loves Briseis in Book 9 of the Iliad, referring to her as if she were his wife. The beautiful and intelligent Briseis first encountered Achilles when he ruthlessly slaughtered her father, mother, three brothers and husband during a Greek assault on Troy, before taking her as war booty. Achilles wiped out Briseis’ family so that she was utterly bereft and had only him to focus on.

Achilles raped one of the daughters, Deidamia, and with her fathered a son, Neoptolemus.

Philomela, who is raped and silenced by her violator, who cuts out her tongue after she tries to scream out the crime.

Beard also recounts the myths of Ovid’s Metamorphoses, including the tales of Io“turned by the god Jupiter into a cow, so she can cannot talk but only moo”, “the chatty nymph” Echo “punished so that her voice is never her own, merely an instrument for repeating the words of others”

Ovid’s Metamorphoses, including the tales of Io“turned by the god Jupiter into a cow, so she can cannot talk but only moo”,

The Rape of the Daughters of Leucippus by Rubens

The Story of Lucretia (1496-1504) by Sandro Botticelli; Lucretia's rape is on the left panel.

Rape is a common topic in history and mythology. A list of notable victims from history and mythology includes:.

Agnes of Rome, was a young girl of around 12 or 13 years of age, who consecrated her virginity to Christ, and was dragged to a brothel to be raped, in a bid to make her recant her Christian faith.

Antiope from Greek mythology; raped by Zeus

Cassandra from Greek mythology; raped by Ajax the Lesser

Demeter was raped by Poseidon to become the mother of Despoina. She was also raped by Zeus to become the mother of Persephone.

Dinah from the Hebrew Bible; raped by a Canaanite prince and avenged by her brothers

Europa from Greek mythology; raped by Zeus in the form of a bull

Ganymede son of Tros of Dardania, from Greek mythology; taken by Zeus

Helen of Troy was raped by Theseus. She was also abducted by him.

Leda from Greek mythology, raped by Zeus in the form of a swan[1]

The daughters of Leucippus, Phoebe and Hilaeira, were abducted, raped and later married by Castor and Pollux. In return, Idas and Lynceus, nephews of Leucippus and rival suitors, killed Castor. [2]

Lucretia from Roman legend/history; raped by a prince, Sextus Tarquinius.[3]

Medusa from Greek mythology; raped by Poseidon

Persephone from Greek mythology; raped by Haides, king of the underworld

Rindr from Norse mythology, raped by Odin in Saxo Grammaticus' version of the engendering of Baldr's avenger

Rogneda of Polotsk from Belarus/Scandinavian history; raped by Vladimir, half-brother of her betrothed Yaropolk I of Kiev, in the presence of her parents (10th century)

The Sabine women; raped by the founders of Rome according to its legendary history

Tamar from the Hebrew Bible; raped by her half-brother Amnon.


From this is extensive list the focus will be to use these mythological characters to represent the phenomenon of rape and murder that continues to plague women and the quantity that continues to be hidden and disappeared from sight.


10-06-18


Taking part in 'Procession' a women's march. 

Capture the sound of a critical mass.





01-06-18
Written text - quote;

'By 800 BCE women had become the target of widespread vilification. The Greek poet Hesiod wrote at about this time that Pandora, the first woman, was the source of all men’s suffering, was “the ruin of mankind.” There was little in the evidential world to explain this harshness. Women, objectively speaking, were, and are, subject to most of the same infirmities as men, but not all of them and certainly not more than men. Women are or may be wonderful, brilliant, and beautiful, and they have a miraculous capacity to create life. Women are or may be— and no doubt were at that time— for the most part more tender, and at least as good— if not decidedly better— at human relations than men. Given the evidence of the last ten thousand years, they are less apt to organize armies of destruction and at least as given to healing, dancing, and singing as are men. Why, therefore, would Hesiod, one of the very first poets in our history and in the history of literature, claim with utmost seriousness that women were the ruin of mankind? To say that women are more dangerous than men may be true in some limited respects but certainly not in most respects that would have been important in the agrarian and shipping economy of the eighth century BCE.'
Barnes, Craig S.. In Search of the Lost Feminine : Decoding the Myths That Radically Reshaped Civilization, Fulcrum Publishing, 2006.


To research;


Maxine Peake and the Pendleton Witches

Judy Chicago – Dinner Party [understand her selection of women]


Susan Phillipz – Turner Prize / public spaces / sound installation






Tony Oursler – Sound Work






Idea to use mythological women?



31-05-18
Rebecca Solnitt


Rebecca Solnitt is very inspirational and I include a number of quotations from the Mother of All Questions;


‘for the purpose of this essay, regard silence as what is imposed and quiet as what is sought’


‘If our voices are essential aspects of our humanity, to be rendered voiceless is to be dehumanised or excluded from one’s humanity. And the history of silence is central to women’s history’


‘Having a voice is crucial. It’s not all there is to human rights, but is central to them, and so you can consider the history of women’s rights and lack of rights as a history of silence and breaking silence.’


‘In I Corinthians, St Paul ordered, “Let your women keep silence in the churches: for it is not permitted unto let them speak” The new Testament declares “ But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence”


‘A 2000 UCLA study noted that the ‘flight or fight’ human response to stress and danger was primarily based on studies of male rats – but studying women led to a third, often deployed option: gather for solidarity, support, advice…’


‘Stories save your life. And stories are your life. We are our stories, stories that can be both prison and the crowbar to break open the door of that prison; we make stories to save ourselves.


‘Liberation is always in part of a storytelling process: breaking stories, breaking silences, making new stories. A free person tells her own story. A valued person lives in a society in which her story has a place.’


HATE CRIME:

Tweets by Mhairi Black and examples of misogynistic abuse directed to Diane Abbott. 




25-05-18
PEST Analysis – 48 Portraits




PEST Analysis


Factor


Opportunity


Threat






24-05-18
Considering how to use sound in an installation – trial of covering a polystyrene head on which to project an image?


Flags – start to decide on wording to incorporate onto the flag.


100 Nasty Women?


Why have women not been recorded into the history books in their full and contributory roles – written out.


Stitched silence – occupied women / occupying women?


Marina Warner writing around the myths – Beast to the Blonde


Carol Ann Duffy – The World’s Wife – a collection of stories that focus on the man but is written from the wife’s point of view


Challenging the image of woman in speech.








Painted portraits - trials to consider how to capture a women in speech. 



17-05-18
Idea to shape a resistant material – MDF – into a flag. Quoting Mahari Black quoting Tony Benn


"In politics there are weathercocks and signposts - weathercocks will spin in whatever direction the wind of public opinion may blow them, no matter what principle they may have to compromise.


And there are signposts, signposts which stand true and tall and principled.


Tony Benn was right when he said the only people worth remembering in politics were signposts."


Visually, by taking a flag that changes direction and shape according to the wind and making this into a rigid signpost to suggest a metaphor for change.



Gottifried Helnwein


In 1991-92, Helnwein made a response work to Richter’s 48 portraits 20 years later from when Richter had exhibited these at The Venice Biennale in 1972. His work featured 48 women of the most important women in the world who left an indelible imprint in history in every field and this was painted in tones of red.









On reflection, to consider only 48 women of historic importance without a clear parameter could belittle the artistic intention to celebrate women.


The response work is of women, but still by a male painter.


Current Day Role Models


Listening to Radio 4 and hearing Julia Killick speaking on behalf Holloway Prison where she had been the director – add to a potential list of women to include in some way to the work.


Ideas arising are to include women who have been silenced to re-write history / explore photomontage / silkscreen printed mouths of women.


Laura Bates – Founder of The Everyday Sexism Project; she receives around 200 abusive messages a day including “detailed, graphic and explicit descriptions of rape and domestic violence”


Pamela Merritt – blogger and activist


Bettany Hughes – historian


Elizabeth Cady Stanton – gave rise to the 1st women’s rights movement






11-05-18
Jean – Leon Gerome (1824 – 1904)

A French Painter and Sculptor who works in a style known as Academicism.

Interestingly the timeframe Richter set for his 48 Portraits corresponds with the birth and death of Jean-Leon Gerome who was known for his paintings of women and focused on women as his subject matter.
‘Truth Coming Out of Her Well’
1896


“Thanks to photography Truth has finally come out of her well, she will never go back” - Quote by Gerome.


This painting by Gerome is one of the few paintings of a woman in speech. The use of a woman clearly speaking and articulating something is a powerful rendering of the female nude.



Processes and Techniques
Painting


3d Digital Printing – exploration of how to make a 3 d digital design. Buying various handbags to create a scaled down version of a Birkin Bag – a recognised ‘style’ icon, also used by Jeff Koons to make an installation piece of work. Explore using Qlone to scan and create a 3 d design / Solidworks a program to draw and create a 3d design.


Printing – use of print to explore visualisations of text and image


Sculpture – Exploration to make 3d flags and signposts using MDF / Ceramics / Casting


Sound – recording using Voice Pro


06-05-18
Explore how the female voice may be visualised to re-write the patriarchy into a different social system.


Ideas; to create a response work to Gerhard Richter’s 48 Portraits. All white central European and North American males born between 1824 and 1904 – all prominent in literature, science, philosophy and music. Richter’s reasons – ‘the absence of the father is a typical German problem’…


By making a female response to redress the balance and gain equality?


Intention is to use the same parameters as Richter - The standardised format of the paintings is 70cm x 55cm.


Gerhard Richter
48 Portraits

1972 Venice Biennale


Thursday 22 February 2018

ASU 2



15-04-18

Arising Ideas


  • Handbags - woman weighed down by baggage
  • Holding hands - to pursue led v lead
  • Speaking - Sound installation inspired by Jean Paul Gaultier exhibition at The Barbican 2014 / Babel 2001 by Cildo Meireles and Rose Finn-Kelsey's sound installation and 'Divided Self (Speaker’s Corner), 1974  is a pre-photoshop black and white photograph of herself sitting on a park bench – talking to herself. The idea is incredibly simple, yet it continues to resonate across the decades because it encapsulates the experience of being a woman at a time when female voices usually went unheard' -[accessed - https://theartsdesk.com/visual-arts/rose-finn-kelcey-life-belief-and-beyond-modern-art-oxford-review-revelation-and-delight] 
  • Double exposure portraits and mouths
  • Male delivered information v female delivered information - research and evidence
  • Sign Post v Flag -  the visual footage brought back into the arena by Mhairi Black of the SNP, “Tony Benn once said that in politics there are weathercocks and signposts,” she said. “Weathercocks will spin in whatever direction the wind of public opinion may blow them. And then there are signposts, which stand true, and tall, and principled. And they point in the direction and they say, This is the way to a better society and it is my job to convince you why. Tony Benn was right when he said the only people worth remembering in politics were signposts.” Mhairi Black joins the list of women who suffer daily misogynist abuse for having a job where her voice is heard. Rose Finn-Kelsey - 'Here is a Gale Warning' 
  • Research figure painting - suggestions of Rose Wylie and Keith Vaughan


Wonder Women Triptych

Visual analysis of the paintings by Botticelli in the National Gallery was made in an attempt to understand the detail, stylisation and content of the painting from this particular time in art history.
The time factor of completing the work meant that they had to reach a point whereby they could be exhibited and then submitted but they remain work in progress.


As the paintings were developed the skin colour was changed to reflect unspecific ethnicity but with an emphasis on being ethnically diverse. This meant that the hair styles changed from the exhibition to final submission. The use of the laurel leaves had to be adapted many times from the scale to the style they were painted in. The continuity of the landscape needed to respond throughout the triptych, but hopefully contain enough visual interest to be a standalone piece as well. Additional time would have allowed for greater fragility in the painting of the toes and fingers to create a more classical feel along with additional detailing into the stone pillar and background. 




Exhibiton at Ickworth House, Horringer, Suffolk


Saturday 14th/ Sunday 15th April 2018












15-03-18

The idea of using a triptych enabled diversity of women and poses. It enabled a stronger sense of the concept whereby three women were in the act of speech. Three is referred to as a magic number? The Three Graces by Antonio Canova epitomise female beauty. The Three Graces, celebrated in classical literature and art, were the daughters of Jupiter (or Zeus in Greek mythology), and companions to the Muses. Thalia (youth and beauty) is accompanied by Euphrosyne (mirth), and Aglaia (elegance). 


Domestic Role for Sale




Having put the work on display I had to consider what response I might make to any interested contact.   The counters were made to send to any participant who emailed along with an invitation to purchase a day/week/year of the unpaid and unequal domestic labour of their choice. 





'mopping'


'folding'


'vacuuming inverted'


'vacuuming'


'detail of ironing'


unfinished ' ironing'

This work was influenced by a lecture given by Charlotte Hodes whose own work is based in pattern in combination with the female form. Ideas arising included digital prints onto kitchen ware, laser cut doilies, stencil prints...
Exploration of sublimation printing onto net curtain to further explore the domestic setting, textiles, interiors enabled a visualisation of the gender imbalance of the domestic role. The green colour is again to reference that this is the unseen, unpaid labour usually performed by women - chromakey or green screen. 

















 FOR SALE
20% Share Available
Domestic Role
The intention was to explore a way to exhibit the domestic imbalance in a home setting. The sign was to invite discourse with a live email address advertised e: domesticrole4sale@gmail.com
Frustratingly the sign was removed or stolen and only verbal feedback was captured whereby an unknown neighbour commented that a discussion about the work in her home had caused some concern that this was about modern day slavery. 


Perfect House



The angles show the development of how to angle to roof so that it would fit together. 
A trial on a plain cut green house enabled this problem to be solved and practised. 











The idea behind the perfect house was again to reference the ancient Greeks, myths and representation of the gods and also people .
To question the idea of the ‘perfect house’ and a women’s domestic role and creation of an ‘ideal perfect home’. By using the laser cutter to cut out the shapes of the woman cleaning and folding my intention is to replicate the idea of a frieze and the creation of a 'childlike dream home'. The light inside is to represent the moment of understanding the female self sacrifice of motherhood once a child is born. The simplistic house is childlike, small and one a child might draw if asked to draw a house - like a dolls house. 

Related image
The East West Pediment of the Parthenon







Grayson Perry - First Site Gallery

Grayson Perry's house - A maquette for the Shrine to Julie was also an inspiration and influence for my own acrylic 'Perfect House'

Guardian Newspaper

Rachel Whiteread's Dolls House



11-03-18

Ideas leading to 'Perfect House': Shrine / Stained glass effect but using clay instead of glass / metal frame / triptych?
Using the technique of stained glass to lead together shapes made from white porcelain. The porcelain would enable the use of light. Why use clay? Clay/ceramic is generally viewed as 'female' art. 







08-03-18
Art and Activism
If I had more time I think I could be an activist but 
until that time I will continue to make art.
The Dialogue Lectures were very inspirational and encouraging to know there are people passionate enough to act. 
Clare Carolin who described herself as an accidental activist had worked on a campaign to prevent the gentrification of her area in London which would create unaffordable housing within a community. She recognised that part of her activism stemmed from the need to protect her community for her child; was encouraged by her role as a mother and indeed the driving force behind the activism were three mothers and Clare's husband, a stay at home dad. Part of the campaign included the generation of a myth surrounding the land that the new development was built upon so that when potential customers searched to find out about the building new literature would feature surrounding the address of EC1. Writers had been asked to create horror stories that would circulate a bad vibe about the area, whereby a 'new' myth would be created in the hope that it would ward off potential sales of the luxury flats. 
This iteration of writing a new myth/story/legend made it clear that the idea of re-writing the Greek mythologies could work. 
Art used as a vehicle to question power - critical approach to enable a critical mass. 


Dissemination
Consider finding a story around a location / reference to local people / display space - library / Leaflets - booklets - pamphlets

Consider using discarded household objects/ ceramics?

Consider using a metaphor?

Record / Write / Describe

IDEAS;
Reference to Judy Chicago's Dinner Party
Digital prints onto kitchenware / Ceramic transfers
Doilies - laser cut - dinner set - tea set 





Selma James - 'Wages for Housework' Campaign. 
"Things cannot go on the way they are. Every woman knows that."
Written in 1952.

Looking at Martha Rosler - 'Cleaning the Drapes'  [pamphlets to distribute critical awareness]

Disrupted Domesticity - Recipe leaflets - Kitchen Leaflets - Disobedient Domesticity - Aesthetic Domestic Disruption


NHS Demonstrations

08-03-18
Women uniting as a critical mass to initiate change.
The #MeToo: hashtag has become a current uprising of women against men where they have suffered from sexual harassment. 
'Greenham Common Peace Protest'
This unusual and extraordinary protest which lasted for 19 years saw women from all over the UK maintaining a singularly and determined protest against nuclear missiles and weapons of mass destruction. It became a home to many women for astonishing lengths of time and some of the demonstrations contained 30,000 women. 
It began in 1981 and was finally disbanded in 2000. 




06-03-18
Back to Kitchens
kitchen- cupboard - space
saucepans / utensils / cutting boards / bowls / cutlery / plates / kettle / cups / ingredients / toaster / radio / pestle and mortar / sink / washing up bowl 
flowers - hub - nourish - care - tend
Experimentation in porcelain clay using acrylic stamps to create motifs into the clay. The acrylic stamps were made from isolating objects found within the 'sent' kitchen photographs. Ideas around creating a lamp - the idea of 'waking up' and realising the assignment of a cultural domestic role only with arrival of a child. 







Using the image of a baby in addition to selecting objects taken from the photographs of kitchens that people sent to me; block shapes with some engraved detail were cut from acrylic to make stamps. Experimentation of pressing these into porcelain clay was trialled to see whether it was possible to develop this further using ceramic to reference kitchenware. 












a light-bulb moment...


02-03-18
A development in the production of the Wonder Women triptych is to paint the women in the act of speaking to further reference the silencing of women. I will use the mouths from Diane Abbott, Gina Miller and Mary Beard and superimpose these onto the faces of my models. I will use the laurel leaf as a symbol to represent the story of Daphne that reads as a rape story. In a new story, Apollo hears Daphne's voice and does not pursue or attack her further. As a result she does not have to be transformed into a laurel tree to be saved and reclaims the laurel as her own symbolism.The central figure holds up a sign in Greek that says 'muthos' (mythos)
ΜYθος
Mary Beard writes that 'muthos' references male authoritative speech and that in the 'new' story we hear a woman's voice. 
Woman are not silenced and own their own voice. 

26-02-18
Having photo-shopped the heads of three significant women in the public domain that included Diane Abbott and Gina Miller I realised that in order to use these as imagery I must obtain permission. I included graffiti to hide their nudity and I discussed this with a number of artists about the the appropriation and creation of these images. The images were seen as discomforting as the women were known. Confusion about how the images could be misused if they entered the public domain. It was felt that the images with graffiti detracted and confused the message. 

Did I really need to use known women as this was the main problem arising. The images were provocative and disturbing. 

My decision is to revert back to using the original three models. 



22-02-18
Wonder Woman Development
New ideas from starting off using the same pose and the same model is to consider how to represent women from culturally different ethnicities to deviate from the 'white' female. Exploring using different models and also look at women who used their voices and suffer misogyny from being in the public eye. 
Women to consider include Diane Abbott, Hilary Clinton, Oprah Winfrey, Benazir Bhutto, Margaret Thatcher, Angela Merkel, Gina Miller, Mary Beard...
These women represent a global change rather than a 'white' only representation. 
Distribution via pamphlets / newspaper / magazine to create discourse into society using these women to re-write Greek Myths and the misogyny within. 

I will look at Greek Myths including lectures by Mary Beard, classics including a recent re-write by Stephen Fry. 
Look up artists in dialogue with the classical world - Dante, Raphael, Shakespear, Edward Gibbon, Pablo Picasso, Eugene O'Neill, Terence Rattigan.


19-02-18
Idea to re-write historical painting / literature

Wonder Woman


  • Inspired by Botticelli's portrayal of the 'Birth of Venus' and archetypal representation of female beauty. 1445, Florence Italy - Renaissance. 
  • The background to the paintings should be of a classical nature to base the 'new imagery' into domesticity. 
  • Idea to re-write the story of Medusa and Athena, whereby the misogyny experienced from both a man and a woman is changed - Athena does not punish Medusa and instead supports her so she is not turned into the gorgon. 
  • Painting is a male dominated arena, therefore by producing an image using this media further challenges the patriarchal domain. 
  • The three life paintings of each woman will fill and dominate the space and will not be traditionally feminine in terms of their pose. 




16-02-18
As part of my research I asked people on fb to send over photographs of their kitchens in different states, clean, tidy, busy, messy.... Interestingly it was only women who responded to this request and  sent in images. I was interested in people selecting their choice of image to send, did this reflect culture or our expectation. 

My question is 'who is in the kitchen'?


I realised that the discourse must always include the arrival of children to signify the beginning of the female sacrifice and protection of others' over the self. 


Handbags / baggage / bags as weights / bronze casting

Problems arising are in recognition of the sociological and cultural roles at a personal level. Are our choices a culturally embedded choice in terms of our roles, do women choose their domesticity? 
I must ensure that the communication of each piece of work is clearly articulated in regards to the history and reason for its production. 

Interested in the work of Judy Chicago's Dinner Party whereby she uses female artistry such as needlework and ceramic painting.
Image result for judy chicago dinner party




Hegemony - Authority - Resistance
Explore macro - micro scale



A development of the Wonder Woman statements into a poster style output. I will extend to see whether image is necessary to develop this further to strengthen the statements. 




Sample Film



15-02-18

Observation :
From today's tutorial I realise that I am not clear in my articulation of a part or one piece of my work. I have been able to discuss the context of the whole, but the dialogue that describes and surrounds the individual components must be supported with further research and clear understanding. 
Collection of quantitative data. 


children - parenthood - mothering
vulnerability / loss of power and wealth / guilt / meeting expectations / nurture / sacrifice / home centred / loss of identity 

Kitchen becomes the hub of the home

Question - 'Who is in the kitchen'?

'rose colour kitchens'


These are a selection of kitchen photographs sent in from people - all women - from a request using social media to see if the selection of images could be put to use to visualise domestic discourse. 


07-02-15

Mind map for ASU2

Motifs associated with women in power; Margaret Thatcher's handbag, Theresa May's Kitten heels, Mary Beard's blue stockings. 

Versace - Medusa image 

This motif is a successful reclamation of the Medusa image within popular culture.

The image of a powerful woman has to change / be constructed/ The use of the Medusa woman has yet to change. 
The image of the gorgon / the severed Medusa head has become so domesticated within our visual history raises the question of how can this imagery be re-domesticated / changed or re-written. 
Women supporting other women - the creation for opportunities of a critical mass. 
Is positive discrimination beneficial for women? women only lists? 



Ideas - to create opportunities to re-domesticate visual historical information through popular culture - comics / manga / social digital media / radio / television / community hubs / leisure spaces / retail outlets / fashion...



Identifying platforms / space
Gallery / Social Media / Public / Publications / Private / Educational Establishments / Community / Corporate / Moving (lorries, buses etc...) / Outer / Broadcasting / Performance

Discourse
Curation / Conversation / Reflective Journal / Audience / Participation / Invited Audience / Private View


Tactics / Strategies / Methodologies
Commissions / Residencies / Prizes / Competitions / Context / Focus / Seminars / Promotional Materials / Applications
08-02-18


Kitchens;
Is it still the domain of the female in the home?

Wonder Woman

'You are wonder woman'
'Am I wonder woman?'
'I am wonder woman'
'You must be wonder woman'
'She is a wonder woman'
The wonder woman comment is something given to any woman who does more than her assumed role - being more or in fact desiring more than being a mother/worker. 
Ideas arising...
'photograph life model as 'Wonder Woman'
Who are seen as wonder women in society today? Angela Merkel, Hillary Clinton, Theresa May... Powerful Women. 



08-02-18

08-02-18


08-02-18











'experimental work surrounding ideas about holding hands'
Are we led? Should we lead?
Led v Lead
Question around holding hands - the way we hold hands means that we are either led or we lead. By changing the way I hold hands with my husband did not feel natural or normal - he felt that he was being led about - was not comfortable and even self conscious? WHY? 
07-02-18
Idea: use of collage to visualise ideas
ACTION: Photograph or ask people to photograph their kitchens or different points / times of the day. 
Build into the learning agreement a more clearly identified space where work could be displayed e.g. kitchen showrooms 
Work printed onto kitchen cabinet doors? Painted onto a kitchen unit?
Consider the audience - who will see the work?
Trial Power Point as a method to make a film on dust.
Globes / kitchen / chandelier / arc lams / domestic interior / dust film / dolls house to represent the domestic world...
01-02-18
Display and Exhibition 
'The rise of the feminine voice in contemporary sculpture corresponds to an increase in the anti-monuments in public spaces' (Moszynska,p.213, 2013)

Corex Board - for sale signs? Digital print output and record the for sale sign in location?
SCULPTURE NOW - Anna Moszunska [Thames and Hudson]
Rebecca Warren - SHE 2003
Ai Wei Wei - Descending Light 2007
Kim Soojah - Bottari Truck - Migrateurs 2007
Tracey Emin - Baby Things - 2008
Pipilotti Rist 2010 - Massachusetts Chandelier
Susan Hiller - Witness 2000
Cerith Wyn Evans - 'Diary: How to improve the world (you will only make matters worse) - 1968 (2008) chandelier
Angela Bulloch - Fundamental Discord 2005 Cubes
Yue Minjun - Chinese Contemporary Warriors, 2005
Ideas from Cerith Wyn Evans - laser cut text to form lamps / chandeliers / boards etc...
24-01-18


Power and Identity
Gender - an understanding of how to present and enable renewed dialogue around the issues of gender and a woman's place that does not present as victim. It is my aim to explore ;power' through identity and understand how gender roles have been created and may be disrupted for the future. 

FOR SALE: I will sell my assigned gender role and buy a new contract for a new millennia (or three thousand years dated from the silencing of woman in Western text - Homer's Odyssey) and teach my children new roles. 
19-01-18

Gender Bias
'a lesson to my daughters'










This work completes a set of digital prints around the theme of 'gender bias' and how I have culturally and unwittingly perhaps contributed to gender bias in my own family and for my own daughters. The images comment on the idea of motherhood as an ideal arising very early on in childhood, domesticity through play and elements of beauty and female adornments such high heeled shoes and handbags. This work is to recognise this insidious gender stereotyping and reteach my daughters. Should I apologise?
RESEARCH
The Second Sex - Simone de Beauvoir
Of Woman Born (1976); Motherhood as an Institution and Experience by Adrienne Rich
'All human ife on the planet is born of woman' (Rich, p. 16)
'Let us no longer be regarded as the preservers of the speices. We give children to no=one, neither to man nor to the state. We give them to themselves and give ourselves back to ourselves'(Rich, p17,)
19-01-18
Qu - 'why is motherhood represented by women artists for nearly one hundred years after the beginning of the twentieth century as a trap and a prison and seldom as a joy and liberation?' (Gioni, p.22)
Further questions and extension from domesticity into an examination of 'motherhood'  - is it the precise moment of combining 'convention', 'gender roles', ' motherhood, that overtakes joy of being a mother as finding oneself taking on the individually assigned gender role. 
19-01-18
Ideas Factory UX Lab - Beth Sowerby - Idea to discover technology to action an artwork to build up as accumulating dust by eye sensor?
Hearing a woman's voice - Mary Beard - Explore sound installations?
Complete a series on gender bias - A Lesson to my Daughters - use of the family archive. Research and understand gender education - how, where, why?
18-01-18
IDEAS
1. digital dust - eye trigger additions to output
2. Domestic Hoovering - Joy Division - the division of labour within the home in new millennia...
3. Gender Bias series
4. Re-role reversal - investigate and re-write the elements of the 'moment' women became slaves to the 'ideal home'
5. Experiment with digital print and painting from life paintings. 
6. Plan how to enlarge sculptures / women / lamps
7. Beauty? Look up Dave Beech
8. Herland - A land without men
9. Violence - Gender difference / sex difference
10. The Kitchen - A theatre space
11-01-18
ASU2 - Reflective Journal